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・ Kurt Nilsen
・ Kurt Nimphius
・ Kurt Noack
・ Kurt Nogan
・ Kurt Noll
・ Kurt Nordbø
・ Kurt Nyman
・ Kurt Nöbel
・ Kurt Oddekalv
・ Kurt Oldman
・ Kurt Olson
・ Kurt Olssons julkalender
・ Kurt Oppelt
・ Kurt Oppenländer
・ Kurt Osburn
Kurt Oscar Weber
・ Kurt Ott
・ Kurt Otto Friedrichs
・ Kurt Overhoff
・ Kurt Paul
・ Kurt Pellegrino
・ Kurt Perez
・ Kurt Peter
・ Kurt Peter Larsen
・ Kurt Peters
・ Kurt Petersen
・ Kurt Petersen (inventor)
・ Kurt Petter
・ Kurt Pettersén
・ Kurt Pfammatter


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Kurt Oscar Weber : ウィキペディア英語版
Kurt Oscar Weber

Kurt Oscar Weber (26 July 1938 – 29 October 2011) was a Swiss-American fine artist, primarily working in sculpture and painting. He worked in several genres of art including German Expressionism, Abstract Expressionism, Color fielding, and Figuration. He is known for his international solo and group exhibitions primarily presented in the US, France, Switzerland, Austria, and Germany. He maintained studios in Emeryville, California and in Uerikon near Lake Zurich for over 30 years.〔
== Personal background ==
Kurt O. Weber was born on 26 July 1938 in Zurich, Switzerland. Weber traveled internationally throughout his life. In 1968, he traveled to the US and with his wife, artist Colette Leitner,〔 (AKA Lindner〔) began a 13-year adventure exploring the country. In 1970, he became a US citizen, while simultaneously maintaining his Swiss citizenship. During this period, he continued his artwork, which primarily included sketching and drafting ideas. Following their exploration across the US, which ended in 1981, Weber divorced and moved to the western US. Arriving in California, Weber set up a studio in Emeryville, located in the San Francisco Bay area. It was here that he created his first large-format images.
Later on, he would commute back and forth between America and Europe, which continued until the 1990s when he temporarily took up residence in Basel. Following the separation from his second wife, he switched his primary residence back to San Francisco. While maintaining a studio in California, he continued to travel to Paris and Switzerland on a regular basis. It wasn't until 2009, that Weber exhibited his art in his native city of Zurich for the first time.
In Paris, during the growing environment of the existentialism, Weber met Jean-Paul Sartre and Alberto Giacometti. He formed a lifelong friendship with the Giacometti, who advised him to develop and maintain ownership and independence of his artistic style and expression, apart from the influence and control of the artistic community that would seek to define his work based on the desires and artistic direction of others. To that end, Weber continued to develop new techniques and painting processes, which included the use of mixed media, pigments, and bright, vibrant colors on various canvasses and placement boards.
In 1964, with the encouragement of Giacometti, Weber traveled to New York, where the avant garde movement had been developing and coming to prominence on a global scale. While intrigued by the creative expression of the abstract painters he encountered in New York, he was drawn to the historic monuments of the Mayas and the Aztecs and began traveling to Mexico regularly. It was this combination of experiences - the breadth and spatiality of American abstract painting and Mexico’s luminous colors that moved Weber to a radical new start.

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